Thin Elvis vs. Fat Elvis: The Craig Graziano argument


I’ve been putting this off for a while actually, and when I realized that this is the 30th anniversary of Elvis Presley’s death, it would be appropriate to stop the procrastination station and get down to business. Now as Uma Thurman says in a deleted scene from Pulp Fiction, you’re either an Elvis man or a Beatles man. I am definitely the latter. The Beatles were the first in a line of many things I would become obsessed about….actually dinosaurs were probably the first in that line but Beatles were close behind. Once the British Invasion took hold of a seven year old Craig, there was no going back.
And so I always looked down on Elvis, he was more like the punchline to a plethora of jokes than a real person. Remember, I’m a little kid when Full House is on the air, so they
‘ve got John Stamos every week talking about Elvis and the friggin Beach Boys. Plus you’ve got the whole fact that the man was popularizing black music for a white audience, and he wasn’t even listening to or appreciating said music. Elvis was strictly listening to the gospel and the country. Sorry Muddy Waters, you too Chuck Berry. What was it that you said Public Enemy? Ah yes:
“Elvis was a hero to most
But he never meant shit to me you see
Straight up racist that sucker was
Simple and plain
Motherfuck him and John Wayne”
Well put Flav, well put. You’re killin em Chuck.
Well maybe I’ve grown soft as time has passed, but I’ve grown to find an appreciation for Elvis…specifically Old Fat Elvis. Maybe it was Bruce Campbell’s stunning performance in Bubba Ho-Tep. Maybe it was my newfound appreciation for deep fried peanut butter and banana sandwiches. Like Uma, I will often ask new people my own question. “Which do you prefer, Thin Elvis or Fat Elvis?”
The thing that gets me is, Young Elvis could do it all so easily. You see clips of him in Jailhouse Rock, and he’s singing and dancing without breaking a sweat. He’s Superman and we all know the problem with Superman. He’s boring. I want to see a bit of the human condition, even in my rock music.
That’s what Fat Elvis embodies, the human condition. By 1968 he’s past his prime, it’s not as easy for him to run around that stage singing those songs. His jumpsuit is clinging to his bulging body (and it’s all bulging, not just his crotch). You watch footage of him performing in that last decade of his life and you can see him thinking “Whoa there, this is some hard work.” And in those glimpses, you see that Elvis is a human being. Add that to the fact that by this time his throne has been taken by bands like the Beatles, The Stones, The Who. Bands which grew up appreciating rock music, white and black, which Mr. Presley chose to disregard in his youth.
Speaking of the music. Suspicious Minds (1969) and Burning Love (1972) are friggin terrific, and in a strangely unintentional but personally logical move on my part, those are the only two Elvis songs that I ever listen to.
Even though I only like him for that downward spiral part of his career, I understand the guy’s importance to the whole American culture spectrum. And even if I didn’t understand it, I would still like Bubba Ho-Tep perfectly fine.
Comments(5)
One word: Masterpiece!
Craig!
I’m going to be a little harsher than Jim.
Elvis ADORED black music. (Plenty of gospel is black gospel, after all, yes?) He spent countless hours hanging out with the black residents of Shake Rag, in Tupelo, as he was growing up. No matter what the PE song says, he was no racist. That’s just a cheap shot for effect in an aggressive and divisive song. (Aggression and division have their uses, but the truth will set us free.) The thing about Elvis is that he was a complete and utter musical sponge. Mario Lanza, Big Mama Thornton, Lieber and Stoller, Mac Davis, Wynonie Harris–he listened to it all, and when asked who he sounded like, he responded (accurately), “I don’t sound like no one.”
If you want the real story on Elvis, take a look at Peter Guralnick’s biography. The man was no saint, but he was an extraordinary musician. And in 1968 he wasn’t bulging yet–1971-72 was the turning point here. Take a look at the NBC comeback special. The man is clad in black leather and looks way too good for anyone’s comfort….
You’re good Dr. Campbell. It’s nice to hear someone say “You got passion, but double check those facts and you’ll have truth.” You’ve got passion and truth. As long as you don’t ask for me to renounce my statement about “Burning Love.” That thing is a gem.
Nah, not me mate. “Suspicious Minds” and “Burning Love” always make the hairs on the back of my neck stand straight up. Especially “Suspicious Minds.” You oughtta read that Guralnick bio–the account of Elvis sweatin’ in the studio during his Memphis sessions in the late 60’s is classic.
Keep on rockin’.
Hey there Craig,
Glad Gardner Campbell was here to set you straight on Elvis. I was prepared to rip you apart, but now I see I don’t have to. Elvis was exceptional as an artist, an exceptional person in many ways, and he still influences people today. It wasn’t too long ago that the remixed version of “A Little Less Conversation” was popular. Elvis changed the way music was recorded. Basically, he changed everything. I’ve liked and enjoyed many other artists over the years, but I always come back to Elvis. He was certainly not racist. That’s a jealous lie.
Thank you, thank you very much.